Sexual Violence in History: A Bibliography

compiled by Stefan Blaschke

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Start: Alphabetical Index: Author Index: A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z | Unknown

First published: October 1, 2026 - Last updated: October 1, 2026

TITLE INFORMATION

Author: Sen Ni

Title: Más allá de la memoria nacional

Subtitle: Testimonios multilingües y supervivencia transnacional en 63 Years On

Translation: Beyond National Memory: Multilingual Witnessing and Transnational Comfort Women Survivorship in 63 Years On

Journal: L'Atalante: Revista de estudios cinematográficos (L'Atalante: Journal of Film Studies)

Volume: -

Issue: 42: Cuaderno Memorias transnacionales en el cine asiático (Transnational Memories in Asian Cinema)

Year: July-December 2026

Pages: 122-137

pISSN: 1885-3730 - Find a Library: WorldCat | eISSN: 2340-6992 - Find a Library: WorldCat

Language: Spanish

Keywords: Modern History: 20th Century | Asian History: Japanese History | Types: Forced Prostitution / "Comfort Women" System



FULL TEXT

Link: L'Atalante (Free Access)



ADDITIONAL INFORMATION

Author: ORCID

Abstract: »This paper examines how 63 Years On (Kim Dong-won, 2008) reconfigures the history of the Japanese military “comfort women” system through a transnational mode of witnessing. Instead of organising testimonies within national boundaries, the film brings women from Korea, China, the Philippines and the Dutch East Indies into a shared cinematic space. Their memories—spoken in different languages yet shaped by similar ruptures of childhood, community and bodily integrity—form a network of resonance that reveals the regional structure of wartime violence. The film achieves this through a network of practices that include a translingual model of testimony, whereby suffering can be articulated across linguistic difference; a bodily semiotics of the women’s facial expressions and gestures, of halting body movements and of restrained weeping that is readable across cultural difference; and finally, a mode of camera ethics that places each woman’s testimony on an equal footing with the others that is maintained through careful staging, measured distancing and a horizontal montage. Each of these practices creates a space of cross-cultural dialogue that is unreadable through any of these methods independently. It is thus argued that 63 Years On not only documents traumatic experiences but proposes a trans-Asian ethics of remembering, where survivorship emerges as a shared historical claim grounded in interconnected experiences of violence and the collective pursuit of justice.« (Source: L'Atalante)

Contents:
  Introducción (p. 122)
  Testimonios translingüístico: Cómo el Dolor Viaja a Través de la Lenguas (p. 125)
  Testimonio Encarnado: Cómo el Documental Hace Visibles los Cuerpos Vulnerables a Través de las Fronteras (p. 127)
  La Cámara Como Dispositivo Ético Transfronterizo: Cómo el Documental Articula una Ética Transnacional del Testimonio (p. 130)
  Alianzas Testimoniales y Supervivencia Transasiática: Hacia una Ética Transasiática de la Memoria (p. 132)
  Notas (p. 135)
  Referencias (p. 135)

Wikipedia: History of Asia: History of Japan / Shōwa era | Film: Documentary film / 63 Years On | Prostitution: Forced prostitution / Comfort women | Sex and the law: Wartime sexual violence / Sexual violence in World War II | War: Pacific War / Japanese war crimes